All standing at the barre class: simple and yet had my leg muscles so alive they felt like they were speaking to me with a megaphone. The ball is under foot, which adds such a challenge for me in wide second. Muscles of glutes, entire leg, and feet totally activated; hips tucked and twirled and awakened. I felt my core through holding it upright working on proper form. Arms and shoulders have a break in this class; we are holding our dancer's posture and continuously checking to keep our shoulders down from our ears, but if looking for a class that does not work those as much this is a great option. Marnie talks through our go-to stretch at the barre starting around minute 26 and a 1/2; even for someone doing this a while it's always great to review the form and reasons. Marnie goes into the standing hips/glutes tutorial as Katelyn notes in class timestamps and other comments reference- super helpful info! Consider starting there and then start class from the beginning.
Commented on M/<60 SIGNATURE /461
25 May 14:36
(Beaming my heart to Cananda and LA)
Are you considering doing a 60-minute class but you're not really feeling it? Maybe you can carve the time for it, but the blah mood is making you second guess it? Hi, do this class. Because same, and I feel a lot better after than I did before.
Choreography is engaging but not too complicated when short on patience; pace is wonderfully consistent, muscle burn is there and yet sustainable as we then are shifting to the next and frfr stretches are mixed in. Great shoulder work (rehabbing) opportunities, lymph flushing opportunities, and a wonderfully counted and guided by Marnie to keep you going and help explain form (for example: lifting up from our abdomen when on a knee and hand on the mat with other leg and arm lifted to release some tension on the supporting wrist, okay what? It worked!)